statements

  At last year's Pola Museum Annex Special Exhibition, Mieko Tadokoro's Pinhole Photo Exhibition, I showed a series of Paris landscapes and buildings shot in natural light under the title "Another Paris that no one has ever seen". In this second show, I move the shooting location to my apartment in Paris, and show the still life photos taken with a large format (8x10 inch) pinhole camera, using fruits and vegetables purchased at the market as the subject.

  This series is inspired by17th-century still life paintings made with the help of camera obscura. Because my pinhole photographs were shot indoors with little light, it took about 30 minutes to expose one shot, and since there was no viewfinder, the film was developped immedately after shooting, and the negative was checked one by one before moving on to the next shot.

  The subject and method of shooting are different from the last show, but this series also takes advantage of the soft delineation and pan-focus characteristics of pinhole, which are not found in cameras with lenses. The theme of this exhibition is "What will happen to a still life drawn with a pinhole, which is neither a lens nor a human eye ?".

                                                                                      Mieko Tadokoro
Mieko Tadokoro's Pinhole Works
"STILL LIVES"
flyer Still Lives
May 3 to 29, 2006
Pola Museum Annex Ginza
 
manual/material/monochrome pinhole photography by Mieko Tadokoro
by          Mieko Tadokoro
PINHOLE PHOTOGRAPHY